Malt Maniacs #0 (prE-pistles covering 1997 to 2001)Malt Maniacs - Issue 1Malt Maniacs - Issue 2Malt Maniacs - Issue 3Malt Maniacs - Issue 4Malt Maniacs - Issue 5Malt Maniacs - Issue 6Malt Maniacs - Issue 7 Malt Maniacs - Issue 8Malt Maniacs - Issue 9Malt Maniacs - Issue #10Malt Maniacs - Issue #11Malt Maniacs - Issue #12Malt Maniacs - Issue #18Malt Maniacs - Issue #17Malt Maniacs - Issue #16Malt Maniacs - Issue #15Malt Maniacs - Issue #14Malt Maniacs - Issue #13Malt Maniacs - Issue #19The Latest Issues
This issue...

Davin and Roman already wrote E-pistles dealing with their Awards
experiences for MM#8, but so far none of the maniacs reported on
the Alsacian adventures. Well, you'll be pleased to know that this
issue offers three different perspectives on D-day in December.
Davin and Krishna have included notes on their experiences in their
reviews of 2003 while
Klaus has dedicated an entire E-pistle to the
event. And what an E-pistle it is... For some mysterious reason he
decided to submit his report in the form of a short screenplay.
Or maybe it's a libretto... Or maybe it's a musical...
Anyway - it's fun (and it has plenty of pictures).

You can find the full contents of MM#9 in the column at the right.
I think there isn't a single report without at least a few malts
scoring in the 90's, so if you have a limited whisky budget like
myself it might be best to leave this site while you still can.
Reading about all those wonderful malts you won't be able
to sample yourself can cause intense emotional stress,
not to mention feelings of envy and despair ;-)

Sweet drams,

Johannes van den Heuvel
Certified malt maniac

Most of the other E-pistles in MM#9 are more 'traditional' reviews
of the year that was 2003.
Serge kicks off this issue with a fairly
philosophical report from the beaches of Agadir, Morocco. After
making up the balance, he felt that 2003 was a great year indeed.
Michael wrote his review under very different weather conditions,
but finally arrived at the same conclusion as Serge - and most of
the other maniacs, for that matter. 2003 has been kind to us...

2003 was a big year for the maniacs. First of all, we had our very
first official team visit to the land of plenty in 2003. And it won't be
the last; knowledge was gained and fun was had by all. A few months
after we returned from Scotland the preparations for the first edition
of the
MM Awards started. And right after the awards results were
published, six maniacs gathered in Alsace, France for some serious
dramming and some 'live' distilling.

E-pistle #09/01 - 2003: Peaty or Pity?
by
Serge Valentin, France

While 2003 was a catastrophic year for the world on various fields, it has been an excellent year for the malt maniacs, especially for yours truly, and many malty events worked like sort of a consolation for me. Don't worry, I won't continue this e-pistle in such a gloomy way, but sometimes I feel our love for the uisge beatha and the friendship that goes along is somewhat futile, compared to the nightmare most of this small planet endures all year long. Frankly, when ignorance, hypocrisy, greed and egoism rule all over the world, and when we have to swallow so many bitter pills, what's the use of enjoying a 200-euros-a-bottle malt? Kind of a discharge system, perhaps… After all, spirits have been used for that purpose ever since somebody invented the first very still. What's better than a good shot of vodka, schnapps, arrack or whisky to forget about problems and bad news?

So, 'santé' to all who suffered in 2003, and let's hope 2004 is going to be better and more peaceful.
Meanwhile, let me tell you a few anecdotes about what happened to me last year IN the whisky field, and sip a few good malts at the same time. And why not have some great Ardbegs, while we're at it? Few malts can hold a candle to a great Ardbeg, and yeah, after my sad, and even disastrous introduction – what, you're still reading this? – I guess we need a good deal of high-flyers… No bragging here, and no need to play the hotshot, because thank God I have several samples – not full bottles - of rare Ardbegs on my shelves, many having been sent to me by my friend Bert, from Holland. Olivier will join me with bells on for this heavily peated session, as it's always better to share some of the greatest drams with some good friends. I'm very bad at drinking alone anyway. And just because I don't drink like a fish (neither does Olivier), we'll have our spittoon on the table, even if we're not sure we'll use it this time. We'll also try to compare most of the Ardbegs to a benchmark, and which one is more appropriate than the 10yo (46%, OB)?

Okay, you're still with us? Good! Time to start with an Ardbeg 1978/1999 (40%, G&M Connoisseurs Choice) then.
Its colour is pale straw, and it's quite light at first nosing. When nosing deeper, it gets grainy, and then some nice notes of fresh bread (baguette, no need to say), eucalyptus and camphor arise. Develops on fern, marzipan, and gets a little dusty after a while. A very refined and elegant nose, nothing to do with a peat monster! On the palate, at first it's very dry, much drier than the 10yo OB. It gets very smoky, and then we can feel quite a lot of liquorice stick, varnish, wood and old cardboard. It really gets bitter and austere then, and the finish is medium long. In short, we like it because of its nose, which is much more refined than the 10yo's. But the mouth is much dryer, less rounded. Its bitterness makes us like the 10yo 2-3 points better globally.
Our ratings: Olivier 86 points – Serge 85 points.

And while we're talking about bitterness, let's evoke one first anecdote that happened last year.
It was in October, during the time when I was contacting the industry to ask them whether they wanted to let some of their malts enter the
2003 Malt Maniacs Awards competition. The deal was simple: they just had to send us some bottle(s), and we would do all the remaining work: despatching the samples all over the world, tasting the malts, coming up with ratings, doing some statistics, publishing the results and finally sending out the awards, medals, and diplomas to the winners. Guess what, most of the distillers replied with much enthusiasm. UDV, W. Grant, Edrington, Campbell, Chivas, Bruichladdich, Glenrothes, Ardbeg, Springbank… Not to mention the bottlers like Douglas Laing, Murray McDavid, G&M, Duncan Taylor, Cadenhead, La Maison du Whisky or Wilson & Morgan, and I'm sure I forget many other ones. Of course, a few players didn't answer my request (no big deal), one declined (Morrison Bowmore, no big deal either), and one did send us quite a strange answer: Ian McLeod, of Chieftains' fame. In a nutshell, they said 'We don't know you, do some publicity for yourself before you ask us to enter the competition'. Yeah, sure, we'll get some one-page ads in Whisky Magazine, Decanter, Wine Magazine and, why not, The Times and the Pravda to get the right to taste two or three bottles of a bottler who's got the worst average rating on our lists anyway. So, instead of spelling a famous four-letters word, I'd say none of the maniacs is that masochistic, and I'll happily forget about Chieftains in the future, which is no hot ticket anyway. It's going to be a hard row to hoe! ;-)

Phew, I need another Ardbeg now. No Chieftains Ardbeg on our program - good news for them, I guess.
So, so let's have the Ardbeg 1974/1996 (40%, Spirit of Scotland) instead. Olivier says 1974 was to Ardbeg what 1972 was to Brora, which is brilliant! What's sure is that this one shows a wonderful nose, quite mellow at first. But then it gets heavily peaty. Smoke, garden bonfire, roots, and then lots of pepper. It's much smokier than the 10yo OB, the latter appearing to be somewhat 'slack' compared to the Spirit of Scotland. The first mouthfeel is really powerful. Nobody will guess its ABV is 6% lower than our benchmark malt's. The palate gets very medicinal, with a lot of iodine, diesel oil and smoke. Very 'organic' (humus). Then it gets quite dry, and finally some funny acidulated notes emerge. What a beautiful style! Bold and refined at the same time, almost austere. Long finish! In short, we like it a lot – better than the 10yo OB. Olivier 90 points – Serge 91 points.

Which brings me to another magic period of 2003: the malt maniacs' trip to Scotland.
It was absolutely great, and it allowed me to meet two 'remote' maniacs for the first time:
Craig from Australia and Krishna , from India. Great guys, I can tell you! There's no point in telling you about all the fabulous stories from Scotland 2003, many great lines have been already written about these events on Malt Madness and Malt maniacs. Or perhaps only this anecdote, if you wish: the whole trip had gone without a hitch until the very last day. On that very Friday, I was driving our Ford Mondeo from Carrbridge to Glasgow, when we had quite a serious car crash. No maniac was injured, thank God, but the two cars were destroyed, and the Scottish guy who was driving the other car had his clavicle broken by the seat belt. I remember very vividly the moment when I went to this guy, after he had his shoulder plastered at Inverness hospital. I told him how sorry I was… Do you know what he answered? 'Oh ton't vorry, chust two carrs and a couple of bownes!' Hem, that's what I call being cool – or Scottish, if you prefer – I also remember what he told us when we drove him back home with our new car. We were talking about whisky, of course, and we were soon to understand that despite the fact that he was a genuine Scotsman, he didn't like whisky at all. And when we mentioned Ardbeg, he said something like 'Uh, this is the vorst of all! Tastes like petrol.' Good laughs in the car, no need to say!
And talking about Ardbeg, why not taste another one just now…

This one is an OB that's sort of underestimated: the Ardbeg 30yo 'Very Old' (40%, OB, Allied bottling).
Its nose is quite mellow, very mature, complex and refined. Beautiful wood, quite spicy (cinnamon). The peat is subtle: iodine and smoke, sure, but also some great notes of smoked tea (lapsang souchong). Then it gets a little buttery, with some fine tangerine, kumquat and orange zest. A beautiful nose, much subtler than the 10yo's. The mouthfeel is quite dry, with a pinch of salt and pepper. On the palate, it's peaty but in a subtle way. Smoky, and slightly woody, but not too much. Gets a little dusty (old cardboard). It's complex malt, but it's also a little thin, and the finish is a somewhat short. So, let's say this one raises a very complex nose, a great palate, but it lacks just a little power, which prevents me to rate it 90 points or more. The 10yo is more powerful, rounder and smoother, but again, the 30yo is much, much subtler. Too bad they bottled it at 40%; it would have been a winner at 46%! But we still think this one's an unsung hero. Our ratings: Olivier 91 points – Serge 89 points.

Speaking about winners, I also happened to taste my best malt ever in 2003, and yes, it was also an Ardbeg: the 25yo 1975/2000 October/October (50%, Douglas Laing Old Malt Cask, 702 bottles). A friend who was reviewing an advanced copy of Jim Murray's Whisky Bible told me Jim did rate that one very high, so I couldn't help plundering the few bottles that were still gathering dust at La Maison du Whisky, both for Johannes and for me. I know, I should have tasted it before, but I had to be quick! Good news, when I had the first sip of it, I felt that yes, it was worth more than 95 points, and I went for 96 points. Which doesn't mean I won't rate it even higher next time I have a go at it. But for the moment, I'm wondering whether some other great Ardbegs we'll have during the current session won't supersede it… Let's check if it's going to be the case with the…

Our next candidate was the Ardbeg 28yo 1972/2001 (43%, Silver Seal 'First Bottling', 288 bottles).
The other Silver Seal bottlings I had before have always been peachy. No wonder, because Silver Seal selects and buys their casks from Douglas Laing's. This one's nose starts with some big sherry, and makes us think instantly about the Provenance OB. A quick check with a sample of the latter leads us to this conclusion: it'll be very difficult not to get confused when tasting both blind. So, big sherry right at the start (crystallized orange, overripe pear) then a few grassy notes, then some big, bold and majestic peat with some very fine peppery notes. And, finally, all sorts of fruit (mostly orange, melon, apricot). Sherry and peat give each other a leg up, and this is endless. Beautiful! The first mouthfeel is balanced and powerful at the same time. The palate shows some great wood, pine tree resin and Havana cigar. Lots of peat of course, bandages, iodine, smoke and humus… Bold, rich, refined and balanced at the same time: what more would you ask for? It's a great Ardbeg, beautifully balanced, and the 10yo OB appears to be simple and somewhat ordinary when compared to the Silver Seal. Just the relatively low alcohol level prevents us from rating the Silver Seal higher than Olivier 91 points – Serge 91 points.

Oh, that makes me just think about a very special evening of 2003 where the ' alcohol level' was much higher. It was in spring, and we were spending a nice evening at 'Les Caudalies', which is a beautiful resort next to Château Smith-Haut-Lafitte, in the Graves region. We just had a great dinner, and we decided to shift towards the 'fumoir', which is a fantastic room where you can smoke your favourite havanas while sipping a great Cognac or an Armagnac. As you can imagine, I asked for a single malt instead, after having spotted two interesting Cadenhead's cask strength behind the bar: a Jura and a Bruichladdich. As often, even at some supposed-to-be well educated places, the barman was preparing himself to put three or four big ice cubes into a long-drink glass, when I stopped him and asked for my Jura neat. You know, these guys are used to dealing with levels in the glasses, not measures, and so, after giving me a blank look – I guess he was a few bricks short of a load - he poured me something like 15cl of that cask strength Jura! A blessing in disguise, indeed! And when I asked for the Laddie twenty minutes later, he did the same! I still wonder how I managed to find my room at the end of the evening and under the moonlight…

Speaking of the moonlight, it's time to taste an Ardbeg coming from the famous and highly praised Italian company 'Moon Import', who takes many of its casks from Samaroli's. This Ardbeg 1966/1987 (46%, Moon Import 'The Birds', oak cask #2443, 264 bottles) was bottled in the eighties and should be far out. It shows a beautiful dark amber colour. Hmmm, another peat-and-sherry monster? Right, here goes the nose: dry sherry (heavy sherry yeast), fresh walnut skin, butter, plus heavy peat: burnt tire, burnt cake, smoke, and then lots of small fruit (blackberry, cherry, raspberry) and some heavy currant. What an extraordinary nose! The mouthfeel is powerful and very creamy. Very, very rich. On the palate, some beautiful wood, sherry, and some quite discrete peat, which is perfectly 'moulded' into the sherry, plus all sorts of dried fruit, Christmas cake, cooked pineapple. Wow, it's really bold and rich, yet complex, and no need to say that the finish lasts forever and a day. What's most remarkable is the way they bottled it 'on time', meaning before the cask would take too much of its share, like in so many bottlings. So, this is a true masterpiece, and I think it's still possible to find a bottle either in Germany or in Italy, provided you don't absolutely need the six or seven hundred euros it will cost you. Erm… yes, it's a little steep. I'm so happy I got a sample of it! For me, it was a great discovery. Oh yes, ratings: Olivier 95 points – Serge 93 points.

And while I'm talking about new discoveries, let me tell you about one special distillery I almost never tasted before 2003, and which I liked very much last year: Ardmore. To be honest, Ardmore being a Speysider, I always thought it was somewhat like most of its 'middle of the road' congeners (Strathmill, Allt-a-Bhaine and the likes): mostly bland and uninteresting. How wrong I was! I'm not saying the sherried versions are stellar and I could easily pass on most of those, even if I didn't have 21yo Century OB yet. But I came across several Signatory Vintage un-sherried expressions, which I enjoyed a lot for their fruit and freshness. For just thirty or forty euros, I advise you to try a bottle, if you didn't yet, and you'll be surprised by Ardmore's crystal-clear peat. I think Signatory Vintage really brings it off. Nothing to do with an Ardbeg, sure, but if you like a few 'variations on peat', have a go at Ardmore. But let's stay on the 'heavy peat' level for the moment, and taste the…

Next: Ardbeg 1974/2003 (52.3%, OB, Manager's Choice for Belgium, cask #2740, 120 bottles).
Yes, one of these high-end bottles which end up in the Ardbeg collectors' cupboards. Again, I'm glad Bert provided me with a sample. The full amber colour is very suggestive, while at first nosing, I can immediately smell that this one's a genuine peat monster. Extremely powerful, almost tingling, the nose is set up on full-peat mode. Very medicinal, it develops all sorts of smoke and humus. Pure and crystalline, it's also extremely clean, almost austere – or perhaps I'd say 'jansenist', and it's not 'tired' in any way. I'd never have said this one was almost 30 years old if I had tasted it blind. Wow! The first mouthfeel is incredibly balanced and powerful, and very salty. Then it develops heavy peat (iodine, diesel oil, smoke) before a few fruity flavours appear (Golden Delicious apple). Bold, robust and yes, austere, its finish is tremendously long, with a pinch of salt on the tongue. Absolutely great, what a rush! And while Olivier's wondering whether there was a special planet alignment in 1974, I have another go at the 10yo OB, just to compare it. I shouldn't have done that; the youngster is like a toothless baby when compared to the Belgian bottling! Our ratings for the latter: Olivier 96 points – Serge 94 points. Yes, wow! I'd have loved to taste it while facing a stormy ocean, on Islay's south shore…

Stormy? Oh, yes, another great memory from 2003…
It was in the Gers region, South of France, during a business trip I made in summer with my good old friend Paul, who's a real good egg. We were stopping for the night at a nice hotel and restaurant in the mountains, and we were just having dinner in the garden, right under the stars. Around us, a lot of tourists, mostly Brits, were enjoying their confits de canard, foie gras and poêlées de cèpes. Just like us. Suddenly, a few drops of rain began to fall into our plates. Nothing too serious at this moment, and the waitresses just put up some parasols to protect us. But the rain got stronger, and many diners decided to beat a retreat towards the dining room. We decided to remain in our seats, and to go on enjoying our food and our wine in the open. Five minutes later, it was raining cats and dogs, and the parasols couldn't really protect us anymore. Everybody went inside, except us, despite the fact that our waitresses insisted we should do the same. But Alsatians are stubborn as mules, and there we were, enjoying the hot rain that was starting to drown our dishes and wash our faces. And that was still nothing. Suddenly, we saw a few bolts of lightning, and five minutes later, it was hell. I had never seen such a storm before. Some parasols were flying in the air, even if folded, and we got completely wet instantly. It was really getting dangerous, so we finally decided to go inside. We were looking as if we just had a bath, with our clothes on. The owner of the place, who had just burst into laughter after having seen us in such a poor shape, proposed we should have a drink, and guess what, I asked for a single mat. They had only one: a Benrinnes Dun Eidean that wasn't that great, but it was one of the malts I'll have in mind for a long time, that's for sure! But let's check now, whether our next Ardbeg will be as memorable as that famous Benrinnes…

This one is much younger than the previous ones, and also stronger, as it's an Ardbeg 1993/2003 (58.6%, Cadenhead) which is almost white. The nose is extremely powerful, as you'd have guessed, and rather sharp. Ouch, it's almost impossible to nose it properly when neat, so we decide to add a few drops of water. It's still very spirity, with pear drops, pineapple and acacia flowers. And then, of course, a load of peat (extreme smoke). But even with a little water, our noses are somewhat anaesthetised, so we decide to add even more water before we drink it. That was a good idea, because the first mouthfeel is still very powerful, even at something like 45-50%. It's also oily and quite sweet. The palate is great: finely woody, with a lot of spicy (clove) and burnt cake notes. Of course the peat is well present (iodine, sea spray, sea weed) and after having shown some funny Turkish delight notes, it gets very dry, in a good way. In short, quite a beast, and I think I never had such a great very young Ardbeg before. The 10yo OB seems weak compared to it, which says a lot about this Cadenhead's. Our ratings for the latter: Olivier 93 points – Serge 90 points.

Okay, now I need to tell you another funny anecdote that happened last year. Nothing to do with Ardbeg, I'm afraid… Or… Oh yes, it happened the day after we had our Islay breakfast at home, with the maniacs, when we first tasted the Uigeadail. Let me tell you the whole story: it was distillation day and we were having the aperitif in my garden. Several friends were there, including some malt maniacs, and one of my friends had brought some great oysters from Brittany. You ought to know that my place is very far from any sea, and that oysters aren't that common in Alsace. Of course you can get some, but they're quite expensive, and much less fresh than the ones my friend had just brought to us. Anyway, we were having these oysters with some great Riesling, when my friend Thomas asked Krishna whether they do also eat oysters in India. And Krishna quite candidly answered (or was he teasing us?): 'Oh yes, but only poor people eat them!' We all killed ourselves laughing, and then it was our turn to tease Krishna during the whole day. I remember having told him something like 'Caviar? foie gras? Ardbeg? It's only for poor people in Alsace!' God we laughed! But let's go back to our Ardbeg session now, and have another rather rare young one, the…

The label of the Ardbeg 10yo Cask Strength (57.8%, OB for Japan, bottled 2003, 900 bottles) is exactly the same as the regular 10yo's except that they wrote 'cask strength' instead of 'non-chill-filtered' in the golden cartouche. I don't know whether this was a marketing experiment, or kind of a pre-Uigeadail attempt to address the same market as the Laphroaig 10yo C/S's. But let's taste it! Like the Cadenhead's it's very spirity at first, and it's hard to smell anything else than alcohol. But with a few drops of water, it really opens up, and here we go: a blast of pure peat (iodine, diesel oil, smoke) and a few fruity notes (apple, melon). It gets just a little 'matt' after a while. Olivier says it's somewhat like the Lagavulin 12yo C/S, but even rougher, and I can't agree more. The first mouthfeel is very powerful and oily. Then the peat attacks, with the traditional sea spray, smoke, humus, and smoked tea notes. And just a few hints of honey. The finish is long. This is robust malt; I'd even say it's a little simple. Compared to its lighter brother the 10yo 'regular', it's slightly dryer and more austere, even when reduced to approximately the same alcohol level. We both feel it's worth 2 more points, just a cut above, and so we go for: Olivier 91 points – Serge 88 points.

After having told you about comparing these two 10yo OBs, maybe I should tell you about two other great – and funny – experiments with alcohol two maniacs offered me in 2003. A great way of recycling some not so great malts or spirits! The first one was made by Olivier, who presented me with a jar of prunes from his garden, marinated in some 21yo Coleburn. It's really excellent, certainly much better than the Coleburn on its own. So, here's my advice if you have one or several opened bottles of not so good malt: just put some fresh fruit into a jar, top those with the malt, close the jar hermetically, and wait for a few weeks. You'll see, it'll be excellent, and it'll work particularly well with prunes, cherries, raspberries, and blackcurrant. Then Klaus and Marlou presented me with the second great experiment I got in 2003. It's called 'Ostfriesische Bohnensuppe' and it's made out of rum, candy sugar, water and raisins. It's also very good, much smoother than Olivier's recipe, and I guess you can make it with some malt instead of rum. I'm sure Klaus will most happily send you the genuine recipe if you drop him an e-mail.

But let's go back to plain and pure malt, and taste another young cask strength Ardbeg, just before we switch to two Douglas Laing Platinums (Platina?). The youngster is the Ardbeg 1991/2002 (55.6%, Spirit of Scotland, bottled for Holland, cask #1182), another sample from Bert's. The first nosing lets us think it's somewhat blocked by the alcohol, and we feel some water will be needed again. Neat, it shows some beautiful peat (iodine, smoke) and is very maritime. But it's a little simple. With a few drops of water, a whole basket of fruit appears in front of our noses, most notably gooseberry and passion fruit. A little yeasty as well, but still very clean. The mouthfeel is rather balanced and oily. Then, as usual, iodine, smoke, bonfire, plus fresh and cooked apple arise. It's very robust and still a little simple. Medium to long finish, mostly on the peaty notes. In short, it's a very nice Ardbeg, but it somewhat tells its lesson. Not greatly original, but still worth 1 more point than the 10yo OB, as far as we're concerned. Yes, it wins by a nose! So, our ratings for this traditional Ardbeg are: Olivier 90 points – Serge 87 points.

By the way, while I'm talking about tradition, I should tell you about Vinexpo 2003 in Bordeaux. That was funny! First, you should know that the event was in June, and that even if the peak of the heat wave wasn't there yet, the temperature was already reaching something like 35°C in the shade. And second, the exhibition halls were quite poorly air-conditioned, as most huge exhibition halls, which means that the temperature was even higher inside. So, we were walking along the stands, carrying our jackets on our arms and having put our ties into our pockets, like everybody in the halls. We had already visited many wine stands, when I decided to go and have a look at the Scottish stand, where several whisky bottlers were supposed to be. And yes, there, right at the end of the largest hall, I could finally spot them! Oh, that was easy… You could see many men in their shirts-sleeves and many lightly dressed women. These were French, Italian, Spanish, American, Greek etc. And then you had a few guys wearing some heavy woollen kilts and jackets, and yes, you guessed it, those were the Scots, sweating and sponging their faces every five minutes… Hence my conclusion: the Scottish distilling facilities are state of the art, but their weather forecasters can do better!

Good, now is the time to taste two of the highlights of our Ardbeg session: some Douglas Laing Platinums. I never had some before, but I know the fabulous Broras quite well, so I can't wait…Both Islayers are from 1973, but one was bottled in 2002, the other one in 2003. So let's start with the Ardbeg 29yo 1973/2002 (51.4%, Douglas Laing Platinum, 137 bottles). Its colour is light amber, and it's surprisingly mellow at first nosing. Then comes a beautiful and refined peat, with a lot of freshness, and some cooked apple, almonds and pepper. Hints of spices (coriander), and some great perfumy notes (musk, Yves Saint-Laurent M7). What a great mixture! On the palate, the first feeling is very balanced, slightly drying. Then, of course, lots of peat, but more in the 'rubbery' style this time. Very smoky, and a lot of pepper, but very few fruity notes this time. Again, it's quite austere, yet refined. The finish is medium to long. This one is a work of art, and it's almost 'symphonic'. The nose's freshness could have led me to rate it 96 points, just like the 1975 OMC '702 bottles', but the mouth is just a tad simpler and less fresh. That's why we came up with these ratings: Olivier 95 points – Serge 95 points. And no need to say there was no point in comparing it to the 10yo OB… Would have been a blowout!

But let's try the second platinum now; Ardbeg 30yo 1973/2003 (51.9%, Douglas Laing Platinum, 94 bottles).
Yes, only ninety-four bottles! And no, this cask hasn't been split into two different bottlings! So, I guess we can say that the angels have got their fair share of it. Happy angels, because at first nosing, we feel it expresses an absolute delicacy, and again a great freshness. The peat is extremely delicate and refined, with all sorts of smoke (bonfire, cedar wood, pine tree, herbs from Provence) and tarte tatin (cooked apple and caramel). And, finally, some fresh pink pepper notes. How great, how fresh! That's just incredible considering this malt's age. Another work of art, really. Its mouthfeel is slightly more powerful than the previous one's and creamier, or let's rather say a little more on the 'cowboy' side. Very smoky, and lots of cooked apple flavours. And, again, a pinch of fresh pepper. Long and beautifully fresh finish, which brings us to these ratings: Olivier 96 points – Serge 95 points. Comparing this one to the 10yo OB? Easy: they're just worlds apart.

And talking about freshness, I remember my sister-in-law Marion,
who hardly drinks any whisky (but she loves Armagnac), telling
me last year on Agadir's beach that there's only one place where
she likes to have a little glass of malt: it's in front of the sea or
the ocean. Which made me think she was absolutely right: I often
experienced that even the most disastrous rotgut can be quite
good when sipped in a maritime environment.

So, here's my advice: whenever you're heading towards Ibiza,
Malibu, Brighton or Juan-les-Pins, don't forget your hipflask!
And again, you won't need to fill it with a high-flyer like the last
Ardbeg we'll taste this evening (just before we taste three last
surprise malts).

By the way, this last Ardbeg will be the Ardbeg 28yo 1972/2000
(50.1%, bottled by Douglas Laing for Alambic Germany, 234 bottles).
Strange ABV, considering this one was bottled in the traditional 'Old
Malt Cask' livery, which is usually bottled at 50%. Did they miss the
50% vol? Was it meant to be a cask strength version?

Anyway, again, at first nosing we're stunned by the fantastic freshness and cleanliness that reach our noses. The peat is much more straightforward than in the two Platinums we had just before, with lots of iodine, sea spray, smoke. And again some cooked apple, but the fruity notes are more muted here. This nose is tremendously pure! The first mouthfeel is even more powerful than the Platinums', and also less creamy. On the palate, lots of peat (bandages, iodine and smoke) and some tar we didn't get in most of the previous Ardbegs we had during this evening. The peppery notes are even heavier here, and we also get all sorts of white fruit (white melon, gooseberry, apple, white peach). Wow, this one is another great, great Ardbeg! Magnificently bold, rich and majestic, yet very clean and pure. It simply has everything! Our ratings: Olivier 96 points – Serge 95 points . Yes, another world-beater.

And now that we're finished with all the Ardbegs on tonight's program, and even if we already had our share of stupendously great malts, we're no cheap drunks and we're still in the mood for three more malts – no less – provided these can match the fabulous Ardbegs. Uh! Not easy, eh? Hum, why not check on my Brora shelves if I've got something really special… Oh, yes, there! Let's have a little sip of the most legendary of all Broras, the 22yo 1972 Rare Malts. But just before, and while we're talking about Brora, let me tell you a few words about one of the other highlights of 2003: the launch of whyskyfun.com.

Well, in fact, as Brora is my favourite distillery (don't worry, Ardbeg comes close), and as Johannes was very busy reconstructing malmadness.com after his hard disk crashed (or should I say his computer's hard disk?), I decided to build my own little website, whyskyfun.com. Oh, don't worry; it's far from a competitor (maltmadness has no competitor!) It's just a place where you can find several extensions of maltmadness: the monitor, which lists more than 4,000 ratings, various interesting statistics, and our picture book… And also my pages on Brora (its history, all the bottlings, many tasting notes etc.). Now that the site is three months old, approx 500 different visitors visit it every month. It's not amazon.com, nor maltmadness.com, sure, but hey, not bad for a start, is it? But yes, I know, I'd better taste the Rare Malt right now, instead of babbling about the website.

Okay, let's go on with the Brora 22yo 1972/1995 (58.7%, UD Rare Malts).
Erm… I'm inclined to get more than a little
emotional at this point. This one is supposed to be the best Brora ever, and as Brora is my favourite distillery, well, it should be my best whisky ever, shouldn't it? Let's find out right now! Its colour is straw, and when nosing it, you get a huge pepper blast at first. Wow! Then it goes on developing on some very bold and structured peppery notes, and then, suddenly, it gets a little thinner. That's strange… But wait here it comes: a beautiful load of fine peaty (smoke, bonfire) and coastal (dried seaweed) notes that keep developing until it becomes even more organic (soy sauce, ginger, haycock). And finally some great acidulated fruit (passion fruit, tangerine). Bold, rich and powerful: this one takes no prisoner, and I'm not disappointed in any way for the moment. But will it defeat the Ardbeg 1975 OMC 702 bottles and earn 97+ points on the Sergio-scale? It's too early to decide, let's check how it'll behave on my palate first… The mouthfeel is very powerful, with a beautiful sweet and sour taste, and yes, some salt. I mean, a salty feeling ;-). Then, an extraordinary peat arises (smoke), accompanied with a lot of peppery notes. A lot of lavender as well, and some acidulated fruit like tangerine, green apple and redcurrant. How wonderful! Again, it's extremely bold and rich, yet very austere, especially when compared to the Ardbegs. No need to say that the finish is very long, mostly on the peat and pepper mode. In short, this beauty is very complex, very rich, and very refined at the same time. The whole shebang! And yes, this is the best Brora I ever had, and the fact that we just tasted some fantastic Ardbegs allows me to give it a very high rating without fearing I'd overrate it – on the contrary! So, our ratings for this more than brilliant malt are: Olivier 96 points – Serge 97 points. Yes, that's right, my best malt ever! But too bad, I made a quick check on the web, and I could only find one bottle for sale, in Germany, for 390 euros… Quite a chunk of change, isn't it?

Oh, while I'm talking about expensive whiskies, let me tell you that 2003 saw also the launch of what's perhaps the smallest whisky club in the world: the A.W.E.S.O.M.E., which means the 'Alsatian Whiskyfans' Extraordinary Society Of Malty Explorations'. Yeah, I know what you think, but I was in a hurry when I had to come up with a name and well… Anyway, we're only five members (maniac Olivier, Christophe, Jean-Jacques, François and yours truly), and we get a bang out of it, I can tell you. Each members brings two bottles on a particular theme (Islay, Islands etc.) and we taste all those. Then we split what remains in the bottles into samples, so that each taster is able to have another go at it at home, to make up his mind definitely. All sessions we already had were really great, and we happened to taste several top dogs. I especially remember a Longrow Samaroli 'Dreams' (95 points), two cask strength Bowmores (1965, 92 points and 1968, 91 points), a Talisker 1955/1993 G&M (91 points), again an Ardbeg which scored 96 points (a 1976 for Feis Isle), and the Bunnahabhain 1968 'Hogmanay Dram' (93 points). We'll have some North-eastern Highlands during our next session at Olivier's place, and I can't wait… Frankly, I can't wait to taste our next – and last - two malts either, because they should be very special…

The first one, again, came back from Japan, and is supposed to be one of the peatiest experiments ever. In fact, it appears that the Isle of Jura distillery bottled two or three casks of heavily peated malt for Japan, coming from a batch that had been distilled in 1999 (they made 20,000 litres within two weeks). This peated Jura was intended to be vatted with some ordinary Jura, hence producing the famous Isle of Jura 'Superstition', but they finally bottled some casks as 'single casks', again, only for Japan.
The sample I've got is the Jura Whisky 3yo 1999/2002 (60.7%, OB, cask #92 for Japan, 447 bottles). Its colour is quite astonishingly dark straw, despite its very young age. The nose, as expected, is quite sharp and powerful. Then we get a huge blast of peat (smoke, lamp petrol) mixed with coffee, bitter chocolate and black toffee. Very impressive, and a style on its own, really. The first mouthfeel is also very powerful and oily. Then it develops on some heavy peat (smoke) and, again, cold coffee and cold tea. It's really bold and robust, and just slightly unbalanced, with a long peated finish. What's most interesting is that this Jura is already very mature despite its young age, not a babe in arms at all, and that it's got its own, smoky style. I hope they kept a few other casks for later bottlings! As for ratings, we feel we must applaud this one most loudly, and so we go for: Olivier 90 points – Serge 90 points.

And now, as for our last malt of the evening, let's just have a mystery malt! I don't know whether it's a Dutch tradition, as Johannes always likes to send – and to get – some blind samples, but Bert did also send me an unlabelled sample. I must say I really enjoy tasting a malt blind, and it's fun – and painful when you get the answers – to try to find out about which distillery it is. Except that many friends like to send you some blind malt that does not taste like the distillery's regular output at all, precisely!

Anyway, let's play the game now and have 'Bert's Mystery Malt'.
Colour: straw. First nosing: very warming, big bold Kalhua (coffee liquor) and Irish coffee blast. That's sherry! Second nosing: it goes into deeper coffee notes and torrefaction but remains very fresh. Then it becomes somewhat meaty. Hints of parsley, vegetable clear soup, wild carrot, and still a great freshness. Then mint and eucalyptus arise, and it gets buttery and creamy after a while. Extremely interesting, that's for sure. But what can it be? Mouth: starts on cold coffee, fudge, toffee, vanilla ice cream. Then develops on cake, dried fruits, Grand-Marnier and dark rum. How complex and bold sherry! It's also very rich, but there's always kind of a freshness that remains, preventing the malt from becoming too heavy or dull. In short it's very interesting and good. It's very special, for sure and it's going to be very difficult to put a name on this one… As for our ratings, here they are: Olivier 89 points – Serge 87 points. Yes, no less. Okay, let's try to find out about which distillery it comes from now. Hum, I have to go whole hog! The freshness leads me to claim it's not far from the seas. Lochside? The coffee notes, which mustn't obligatorily come only from the sherry, make me think of Ben Nevis or Braes of Glenlivet. And then you have these grassy notes, which lead me towards Banff, or perhaps Ardmore… Okay, let's ask Bert if I'm way off the tracks or not… Answer by Bert: Actually it's a Clynelish 1982/1996 Cask Strength. It was a special bottling for a Scottish bar in Glasgow, and the total number of bottles was 196. I think Cadenhead/ Duthies had done the bottling.
Wow, a Clynelish! Beautiful… And what a surprise!

Hum, I feel I should wind up now… Anyway, as you can see after these long lines, no need to tell you anymore that 2003 was a great year, full of big events (read my fellow maniacs e-pistle for the big thing), and full of tiny, yet funny anecdotes as well. I'm sure 2004 will be even greater, and as thrilling as our latest Ardbeg session. By the way, the spittoon was still empty at the end of the evening, which says a lot… We'll attend Whiskylive London in March, then we'll fly to Scotland again in May, not to mention all the further tasting sessions we'll have. Yes, we have a full plate, but I'm sure it's going to be a bed of roses. So, my advice is: stay tuned to maltmadness!

Santé

Serge
 

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

E-pistle #09/02 - Frozen Over (Winter 2003-2004)
by
Michael Wade, USA

As I sat in my den overlooking the glistening treetops of the Merrimac Valley, dram of single malt in hand, I looked out onto the vast winter landscape.  Chilled from the arctic temperatures of my recent foray outside, I gazed at my snow boots and winter jacket, covered in a thick soup of sleet and ice. Bone rattling wind whipped at the windows, demanding entrance- one last measure of revenge before eventually giving way to the forgiving tropical winds from the south.   The sun shined down in blinding rays, an oasis of water in a desert of dry parched death.  This too proved an illusion; as the temperatures dipped to ten below zero Fahrenheit; bringing a new meaning to the word cold.  The Sun offers no solace in these cold times.  Its futile attempt wanes in the face of a cold that seeps to the core of your being.  The world outside stands as if frozen in time, a great glacier struggling amidst an ocean of ice.

I cast my mind back through time, back through the year that has past. 
Breaking free of my icy reigns, I glide easily through the peaks and valleys of my mind; back to warmer days and longer nights.  Back even further, to the red and gold of autumn and then the powerful scents and sights of spring; until the cycle is complete and I stand amidst the cold once again.  I grabbed a bottle and sorted through my memories, digging for something to prove that the world was still moving; that progress was being made.  That the ice would not rule forever.  Where better to start than with Edradour.

2003 was an important year for Edradour.  The respected independent bottler Signatory stepped out of the shadows in the summer of 2002 to purchase the tiny property bearing the oft-disputed title of "Scotland's Smallest Distillery".  With it came a respected brand and tourist business; not to mention a decent stock of aging spirit.  Long having wanted a distillery of their own, the timing seemed perfect, and another distillery was rescued from the fate often relegated to "non-core brands" by the multi-national conglomerates.  Whisky drinkers world wide waited to see what the eminent Andrew Symington would do with his new investment.  Would treasures long locked away in old, earthen warehouses be revealed?  Would the line be expanded to include multiple ages, interesting finishes and wood aging?  He did not disappoint.  A steady stream of malts flowed; catering to entry level, connoisseur and luxury markets.  This helped to raise brand awareness and, just as importantly, up-front capital for much needed work. The general consensus on Edradour is that it of a quality malt with a lot of potential; but often limited by lack of investment and marketing beyond tourism. Signatory built upon the ideals of quality and introduced an already established and successful production, marketing and distribution vehicle.  It was exactly what Edradour and Signatory needed.  It wasn't long before bottlings cropped up in specialty shops worldwide. I was able to get my hands on a bottling for the American market; branded under the Signatory "Un-Chillfiltered" line; a popular range appealing to consumers knowledgeable in the production and marketing of single malt whisky.

Edradour 10yo 1992/2003 (46.0%, OB Signatory Un-Chillfiltered, Cask 387, Bottle 323/497, 750ML)
Color: Reddish Gold. Nose: Sherry sweetness, butterscotch candy, cinnamon and rock sugar.  Very sweet and somewhat winy.
Palate:  Oily mouthfeel, a burst of sherry, followed by some delicate smoky flavors in the front palate. 
A fading taste of dark spices and red, ripe fruit.  At the end, a bit of an astringent bitterness lingers.
Finish:  Lasting, but tinny and bitter.
Score: 82 points .  One for the sherry lovers.  Could have aged more in a different cask; but very pleasant all the same.

Beginning to warm, thanks to the life-giving amber liquid, I sent my mind reeling back, back to a very old place, a place I felt a deep connection to- a place that didn't warm my body- but it did melt my heart: Islay.

2003 was also a very important year for another distillery; a very old and well respected distillery on Islay called Laphroaig.  The distillery has long marketed and sold a very succesful 10 year old single malt; and the further addition of a 15 year old into the range; as well as a host of limited additions and rare offers, such as the 30 year old and the ultra rare 40 year old, have only done more to bolster its international reputation for quality and consistency.  However, the island, and the world-wide whisky community was stunned and saddened to hear of the retirement of long-standing and much loved distillery manager Iain Henderson in 2002.  An icon in the business, Iain instituted the Friends of Laphroaig; a worldwide community of Laphroaig lovers given a way to collaborate and contemplate together; all in the name of their favorite tipple.  Not only was it just what consumers needed, providing a personal touch to those feeling left out in the cold by the large drinks corporations hungry for profit; it was also a brilliant marketing maneuver; much like Glenfiddich's pioneering of the visitor center.  Literally thousands have signed up for the program, chatting on the web site and visiting the "plot of land" they "own" at the distillery, and collecting the "rent" (a dram of Laphroaig 10).

Suffice it to say, Iain's departure was bittersweet.  I attended the Manager's Ball at Bunnahabhain distillery during Feis Ile 2002 and it was a sad day.  But hope was soon to come; and it came in the form of Robin Shields, the New Guy at Laphroaig.  Bringing his own significant experience to the table, he decided that Iain's shoes were hard to fill indeed; and he would forge his own path.  While still honoring tradition, in 2003 Robin began to make many welcome changes around the distillery and in the Friends society.  He also began preparing for 2004 (the 10th anniversary of Friends of Laphroaig) by putting together a special bottling.  In addition, another special bottling is planned; and these limited bottlings may become more frequent in the future.  Exciting news indeed, and a breath of fresh air and new direction for an old soul.  I decided to dust off a bottling of Laphroaig I had tucked away for a cold day and see what secrets it held, to toast the departure of the Old Guard; and to welcome in the New Blood. 

Laphroaig 10yo 1990/2001 (60.6%, Cadenhead's Authentic Collection, Bourbon Barrel, 192 bottles, 750ML)
Color: Clear gold. Nose: Peat smoke, pear, green, under-ripe apple.
The smoke diminishes as it warms in the hands. The peat is refined, intertwining among the fruit notes.
Palate:  Oily and mouth coating. Up front the peat hits, as it coats the tounge mingling with notes of sour apple and sap.
Burnt notes and harshness in the midpalate fade with a bit of water. Gradually building in warmth.
Finish: Very long, with some astringency.
Score: 85 points.  Not a peat monster per se, but a wallop of a dram anyhow. Again, could have been aged longer, but a decent peek at Laphroaig's true flavors beneath the smoke- and at full strength!

Finally beginning to warm inside, I still had trouble feeling my extremities A final dram was in order, I'd decided; and perhaps one more trek.  I reached for another bottle, hands aching with the stiff pain cold brings. I sent my mind back again, back to the heart of the Highlands, back to a place of mystery and tradition.  A place where even the soul can find warmth: Speyside.

The folks at Macallan sure have had a busy year.  Improving the standard for excellence abroad; Macallan announced a deal with American Airlines in September, setting the course for a rapid increase in duty-free sales.  Continuing the trend of world-wide excellence and recognition, in particular in Asian countries (where it commands a rabid following), they launched a Japanese website in May and opened a private club in Singapore in June.  You would think them busy enough already, not even counting the normal business of new releases, creating initiatives in important markets such as Italy and the day to day machinations of the distillery itself.    Despite all this, in late 2002, The Macallan announced the launch of "The largest range of vintage single malt in the history of the Scotch Whisky industry".  The collection encompassed 10,000 bottles from 26 different years.  36 rare vintages are represented; with a cumulative price tag of £14.5 Million (Approx. $26.5 Million US dollars).  During 2003, their ambitious program had begun to prove a success; their groundwork having been laid down for years, catering to the luxurious and well heeled.  Collectors, investors and aficionados from around the world lined up to buy at surprising rates.  Starting in January, 2003, they auctioned off the rarest of the vintage collection.  The range contained 5 bottles pre-dating the turn of the century.  The "youngest" was an 1897 vintage, the oldest, 1856.  Each received bids over the reserve prices, and although the final price is not revealed; no doubt each sold for thousands of pounds (the reserve for the 1897, the youngest, was £6,500, the 1896 was £6,700).

Sound improbable?  Sound impossible?  Sound unimaginable?  Read on, if you dare….
I give you the following from their own website:

The Macallan 1926.  YEAR BOTTLED: 1986.  AGE OF WHISKY: 60 Years Old
TOTAL OUTTURN: 40 Bottle Equivalents.  750ml: £20,000.00  
Due to high orders for this bottle we only have a limited number available.
Our 1926 will only be sold as part of a full collection of all 37 bottles of Vintage Macallan.

Yes, you read it right.  "High orders", "…Only be sold as part of a full collection"…
According to The Macallan, this range will last 5-7 years, as the whisky is slowly bottled and released as demand requires.  That's an approximate average of 1,600 bottles sold per year.  No worries though; all vintages (save the ridiculously rare 1926) have 50ml miniature bottles available for those of us not so financially endowed.  The cost: £61-£320.  For some, a small price to pay to taste history.  No wonder "Malt Advocate" named them Distillery of the Year 2002/2003.  On this day I seemed to have misplaced my bottle of The Macallan 1926.   So for now, I'll have to dig out something else.  Something a little more affordable, but no less obscure.  The Macallan 15 yo.  What does this have to do with 2003?  Well, you see, The Macallan practically ran out of "vintage dated" Macallan whisky from the mid-eighties (now slated to become 18 years old).  This created an immediate need; which the 15 year old would fill.  It was vintage dated 1984 and released in 2002, only to be discontinued in 2003.  It was replaced by the no age statement "Cask Strength" bottling in the US. 

The Macallan 15yo 1984 (43.0%, OB, 750ML)
Color: Amber. Nose: Heavy sherry influence, a hint of sulphur, christmas spices, molasses. Very rich and intoxicating. Slight prickle.
Palate:  After the expected sweet blast of sherry, the midpalate is drowned in thick, tarry and smoky flavors.
This is enhanced as the sherry sweetness quickly fades leaving a pleasant smoky, resin aftertaste.
Finish: Long, deeply warming, somewhat spirity.
Score: 87 points.  No doubt plucked a bit early.  A more rough-and-tumble Macallan, a bit rough around the edges, but I am enchanted by the smokiness. 

Back in my house and in my own when, I realized that the world wasn't stuck in some cold time warp.  You see, as my own hands and face warmed, reddening in fullness and throbbing with heat, I stared down at the empty glasses before me.  I attempt to focus my gaze, unable to.  An hour, perhaps two had passed since I came in from the bitterness; every bit the abominable snowman and feeling like the fires of hell could not warm me.  I looked over at my jacket and boots, and the puddle of water steaming beneath them.  Through the window, fogged by my own breath dancing in eerie patterns to the drums of my heartbeat, I see the wind had subsided.  The sun increased its intensity; the abysmal clouds and gusts retreated back north in the face of the charging southern wind.  The branches of the mighty oak in the yard hung low and sad; weighted by winter's wrath.  Yet- on those branches an amazing thing was happening.  The ice was melting.  A small stream formed at the base of the tree and made it's was down my driveway, digging an angry groove in the ice; finding the road and chasing it to some unseen conclusion.

Consumed in that silly, momentary fear of being forever-cold; I had not noticed the gradual warmth the whisky provided.  Caught up in searching for proof that the world would not stay forever-frozen, for a tiny speck of hope- I had not noticed the cold subsiding outside.  Just as history had proven in my memory-journeys; the world moves on.  The icy grip of winter will tighten and loosen; eventually fading and letting go; only to come back stronger again.  It was the ebb and flow of the tide; birth and rebirth; life and death- eternal concepts rediscovered in the mundane. 

2003 was a good year for the whisky industry and consumers.
As the winds calm and the sun warms all, here's to hoping for an even better one next year.

Michael J. Wade
 

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

E-pistle #09/03 - 2003 In Retrospect
by
Davin de Kergommeaux, Canada

"Your Malt Madness site is great" , I wrote in an email to Johannes in January 1999, and thus began a great adventure that each year has managed to outdo itself.  Not long after, while dramming together in Amsterdam, Johannes floated the idea of my joining him in writing for Maltmadness.  He wanted to put together a team of international correspondents.  Several drams later I accepted.

Maltmadness did not create my interest in malt whisky, but it certainly has nurtured it, so when I sit down now to look at the year that has passed, it's no surprise that Johannes' international team, now called the Maltmaniacs, has had a central role in the highlights.  I enjoy whisky for its contemplative qualities.  I have never enjoyed inebriation nor spending money to feel awful.  Whisky affords me a past-time so disconnected from my daily life, so sensually pleasing and so intellectually stimulating that each dram almost becomes a mini-vacation.  And it's a discovery vacation I try to take every week.

That is why in 2001 I set myself The 52 Challenge.
My goal that year was to taste at least one previously unknown whisky each week.  It was a real challenge too, for in 2001, there were probably no more than 40 malt whiskies available for sale in Ottawa while across the river, in Hull, things were even more bleak.  As I drank number 52 that year, how could I have known that in 2003 I would sit down at a table at Tom Borschel's house with more than a hundred top-flight malts open in front of me? How could I have guessed that in 2003 Johannes and I, over a single extended weekend in Amsterdam, would sample that magic 52 previously untasted malts and that I would then take all I could carry home with me?  2003 ends, thus, with the solid belief that yet another unsurpassable year has just been lived.

March saw me in San Francisco for the World of Whiskies Expo.  This was my first real commercial whisky fair, and I must say I was positively impressed.  Lots of great whiskies were on hand to sample, but to my surprise, most of those attending hadn't a clue what they were tasting.  It was a night out for the local dating crowd and I watched in amazement as impatient girlfriends glowered at their dates downing wonderful drams like shooters.  The crowds around the tables were deep and some of the better bottles ran out early, but it was a great chance to taste new malts and talk with distillery representatives.  The highlight of the evening was probably the Talisker 25yo (OB), while the disappointment was Old Potrero.  This was my first taste of Old Potrero, and it was much anticipated, but the whisky just fell flat, reminding me of nothing so much as lime sherbet fleeing from my tongue.  At the end of the evening folks at one of the Irish whiskey tables offered me their left-overs including a nice portion from Connemara.  My overall impression?  If you can be there, do so.  It's crowded, despite controlled ticket sales, and it ends too soon, but there is so much to taste and learn.  This year the event will be moved to the Hilton and have twice the space so the crowding should be reduced.  Now if only they can find a way to have people queuing at the tables.

The whisky year began in earnest in April at Whisky Hill Dram Jam, Tom Borschel's annual PLOWED get together.  Although I had drammed with Dave Russo and Michael Wade in 2002, WHDJ was my first official Plowed event, and quite the event it was!  Peter Silver was there as were Michael Wade and Dave Russo.  Jay Stosky flew in from Germany, Alan Robinson from the west coast and Marty Brunet drove down from Montreal.  All in all, more than a dozen serious malt heads gathered at Tom's alter to add to and sample from a collection of some of the finest malts I have ever seen together in one place.  From among the hundreds, these are what I tasted that weekend:

74  Aberlour-Glenlivet 12yo (43%, OB, Bottled 1970's)
95  Ardbeg 27yo 1972/2000 (50%, Old Malt Cask, D 1972 November, B 2000 July, Sherry cask, 144 bottles)
97  Ardbeg 29yo 1972/2002 "Ardbegeddon" (48.4%, Old Malt Cask, D Oct 1972, B Nov 2001, 227 bottles, sherry cask)
95  Ardbeg 1975/1999 (46.7%, OB, distilled 26 Dec 75, bottled 20 Oct 1999, bottle 137 of 238, Italian Bottling)
95  Ardbeg 1976/2002 "Feis Isle" (53.1%, OB, Cask #2390, distilled 24 Nov 1976, bottled 27 Apr 2002, bottle 270 of 494)
89  Ardbeg 1975/2000 (43%, OB)
96  Ardbeg 1974 Provenance Very Old (54.7%, OB, bottle #1965, distilled 1974, bottled 199? (illegible)
88  Ardbeg 1977 (46%, OB)
92  Balvenie 15yo 1974/1989 (57%, The Prestonfield, casks 18103 – 18130, bottle 103 of 1200)
81  Ben Nevis 1991/2001 (61.1%, Blackadder Raw Cask, Hogshead #2622, 264 bottles, D 2nd Aug 1991, B Sept 2001)
80  Ben Nevis 26yo 1971/1997 (52.2%, OB, distilled 1971, bottled 1997, cask no. 4248, bottle 33 of 17)
93  Brora 30yo (52.4%, OB, no. 1064 of 3000)
86  Brora 19yo 1982/2001 (46%, Chieftain's Choice, distilled June 1982, bottled Dec 2001, sherry butt)
85  Bruichladdich 1993/2000 (43%, Blackadder, Spring distillation, BRU 1566, 440 bottles, D 29 April 1993, B Sept 2000)
93  Bruichladdich 18yo 1979/1997 (56.1%, Cadenhead's, distilled Mar 1979, bottled September 1997)
94  Bruichladdich 31yo 1970 (44.2%, OB)
89  Dailuaine 40yo 1962 (46.3%, Douglas Laing Platinum)
88  Glen Garioch 21yo 1965/1986 (43%, OB)
83  Glenlivet 17yo 1977/1994 (56.5%, Glenhaven) distilled March 1977 bottled October 1994
93  Highland Park 12yo 2000 (55.7%, OB) limited edition cask strength bottle 1194 of 2000
85  Highland Park 14yo 1988 (46%, Signatory) The Unchillfiltered Collection cask 709 bottle 109 of 361
86  Inverleven 1989 13yo (62.5%, MacKillop's Choice) single cask, cask strength sherrywood
80  Isle of Jura Superstition (45%, OB)
86  Lagavulin 25yo (57.2%, OB) bottle 3058 of 9000
87  Linkwood 1984 10yo (43%, Whyte & Whyte) single barrel (sherry cask)
94  Longrow 1992 9yo (57.2%, Cadenhead's) authentic collection
50  Port Charlotte clearic 40 ppm (a sample of the stuff Ralph Katznell obtained from a leaky transport pipe)
93  Port Ellen 17yo (61.7%, Cadenhead's) distilled Aug 1980 bottled Sept 1997
95  Springbank 1966 Local Barley (55.1%, OB) distilled Feb 1966 bottled Feb 1997
89  Springbank 1989 13yo Whisky Fair (Limburg) cask sample (not bottled yet)
93  Tomintoul 30yo (45%, OB) Stillman's Dram no. 39 distilled 1969 cask 5347 one of 298 bottles

I also sampled some vatted malts; Moidart 21yo Pure Malt (46%, Cadenhead's, 78 points) and Moidart 30yo Pure Malt (46%, Cadenhead's, 84 points).  Canada was represented by the Breton Hand & Seal Blended Canadian Whisky (40%, OB, Batch no I239-6, 70 points) and the Bush Pilot's Private Reserve 13yo Unblended (43%, OB, Cask #A045, Bottled 1982, 85 points).  I even got to try some mezcal; Del Maguez Single Village Mezcal/Chichicapa 1988 (47.8%, OB, 100% agave espadin).  Not scored but very, very good – well into the 80's on the enjoyment scale.  If some of these scores seem a little high, there were several factors at work.  Since the marks are based on enjoyability, the general ambiance and the company could not help but emphasize the general high caliber of malts.  Thanks Tom, for one of the most enjoyable and memorable weekends of my life in malts.

Every true malt maniac must make the pilgrimage to Scotland , and for me, 2003 was the year.
It was a whirlwind week of distilleries, malts and whisky shops, all brought together by the incredible hospitality of the Scottish people.  We met industry icons like Iain Henderson at Edradour, toured the Gordon and MacPhail warehouses (no coastal influences there) drew our own bottles from the cask at Aberlour and managed to taste more than 50 malts for the first time.
Here is a list of the ones I sampled:

78  Allt a Bhaine 1989/1999 (50%, Milroy's)
83  Ardbeg 8yo 1992/2000 (43%, Sig)
93  Ardbeg 24yo 1975/2000 (50%, Douglas Laing OMC)
94  Ardbeg 27yo 1973/2000 (50%, Douglas Laing OMC)
86  Ardmore 11yo 1992/2003 (43%, Sig)
80  Balblair 10yo (40%, G&M)
82  Balmanech 10yo (43%, Scottish Wildlife)
81  Banff 18yo 1980 (43%, Chieftain's)
84  Benrinnes 15yo 43%, OB Flora and Fauna)
78  Benromach 18yo (40%, OB)
82  Benromach 1973 28yo (40%, OB)
74  Blair Athol 12yo (43%, OB)
76  Brora 1982 (40%, G&M CC)
76  Bruichladdich 11yo 1986/1998 refill sherry (46%, Murray MacDavid)
82  Bruichladdich 1983/2001 Ceramic (46%, OB)
89  Bunnahabhain 1964/Feb 1990 25yo (46%, Sig)
85  Fettercairn 1970 26yo (57%, Sig)
82  Garneath Single Grain (47%, Humbrecht)
76  Glen Garioch 12yo (43%, OB) 
92  Glendronach 20yo 18.2.70/7.90 casks 513-518 (56%, Sig)
76  Glenfarclas 8yo bourbon cask (70%, single cask distillery sample)
78  Glenfarclas 8yo sherry cask (70%, single cask distillery sample)
81  Glenfarclas 8yo (70%, vatting of above two (Rosemary Daniels))
77  Glenfarclas 10yo (43%, OB)
82  Glenfarclas 105 (60%, OB)
81  Glenfarclas 21yo (43%, OB)
90  Glenfarclas 22yo (43%, OB)
90  Glenfarclas Milleneum 22yo (43%, OB)
84  Glenfarclas 25yo (40%, OB)
87  Glenfarclas 30yo (40%, OB)
77  Glenlossie 10yo 1989 (43%, MacGibbon's Provenance)
72  Great Outback NAS (40%, OB, Australia)
89  Lagavulin 12yo Special Release 2002 (58%, OB)
73  Lammerlaw (New Zealand) 12yo (50.5%, Meignons)
62  Lark's 3yo  ex-bourbon Jim Beam barrel(Australian)
66  Lark's Jan '03 4yo (Australian) Muscat cask
79  Linkwood 1968 b. 1996 (40%, G&M)
84  Linlithgow 1982/2000 (61.6%, Scott's Selection)
75  Lochside 10yo (40%, OB)
87  Macallan 1976/1995 (43%, OB)
64  McDowell's (Indian) Oak Matured Single Malt Whisky (42.8%, OB)
78  Nikka White (Japanese) (43%, OB)
75  Old Pulteny 1990 (64%, OB) cask strength
90  Rosebank 20yo 1969/1999 (60.1%, Rare Malts)
73  Royal Lochnagar 12yo (40%, OB)
79  Springbank 10yo (46%, 2003 distillery visitor's bottling)
65  Sullivan's Cove 2yo (Australian) (not the same batch I tried before) (40%, OB)
88  Talisker 8yo 1988/1996 (45%, Milroys)
78  Teannich 1982/1998 (40%, Gordon and MacPhail's Connoisseur's Choice)
81  Tomatin 21yo (43%, Culinaria)
82  Tomintoul 16yo (40%, OB)
90  Tomintoul 1966 30yo (52.7%, Sig)

2003 was also the year of the first MaltManiacs Awards, truly a milestone in my malt career.  The other Maniacs thought I was crazy flying to Amsterdam to participate in the awards.  The Americans arranged to have their entries delivered to them, but I know the problems of getting anything across the border into Canada, so felt I needed to make the trek.  In the end, I got my malts through customs, though not without a thorough (but respectful) inspection.  As I write this, some months later the competition is over and the American Maniacs are still awaiting their samples, so I'm glad I made the effort to pick mine up.  There's a Silver lining though for Peter who will get what's left of my share of the entries.

Picking up the awards entries in Amsterdam also afforded an opportunity to dram with Johannes.  While I had intended to get a head start on the awards malts, Johannes was determined we would work on filling in gaps in the Matrix.  After 8 seconds of heated debate I gave in and we set about working through Johannes' open bottles looking for those that others hadn't tasted yet.  Again some serious miles were added to my malt mileage:

78  Aberfeldy 12yo (43%, OB)
79  Aberlour 11yo 1989/2001 (43%, Aberdeen Distillers) Oct 1989/Sept 2001 oak hogshead
71  Arran NAS Non-Chillfiltered (46%, OB)
78  Auchroisk 1989/2001 Port Wood Finish (43%, Chieftain's)
74  Balmenach 11yo 1990 (43%, Chieftain's)
83  Balvenie 15yo 1985-2002 (50.4%, OB, cask #286)
86  Bladnoch 14yo 1989/July 2003 (53.6%, Cadenhead's Authentic Collection) bourbon barrel
95  Bowmore 1965 (50% OB)
87  Braes 12yo 1989/2001 (62.1%, Cadenhead's)
84  Braes 17yo 1979/1997 (58.1%, SigV)
88  Bunnahabhain 24yo 1979/2003 (45.7%, Cadenhead's Authentic Collection) 1979/July 2003 Bourbon Hogshead
84  Clynelish 14yo ,OB
68  Convalmore 16yo 1981 (43%, Ultimate)
86  Cragganmore 1976/1993 (53.8%, G&M)
75  Glen Albyn 22yo
87  Glenfarclas 15yo (46%, OB)
89  Glenfarclas 1983/2001 Family Reserve #4 (46%, OB)
82  Glenglassaugh 1986/1998 (40%, macPhail's Collection)
85  Glenglassaugh 1973 (40%, Family Silver)
72  Glen Grant 10yo (40%, OB, single malt, 1990's)
70  Glen Grant 10yo (40%, OB, vatting, 2000s)
74  Glen Mhor 12yo
78  Glen Moray 12yo 'Classic' (40%, OB)
88  Glen Ord UDRM
79  Glenrothes 1987/2000 (43%, OB)
74  Glen Scotia Full Proof (54%, OB)
84  Highland Park 12yo March 1989/Sept 200 (43% Aberdeen Distillers) March 1989/Sept 2001 Oak Butt
83  Highland Park 13yo 1989/2002 (56.4% Cadenhead's Authentic Collection) 1989/June 2002
90  Highland Park 18
79  Highland Park 22
71  Imperial 18yo 1982 (43%, Chieftain's)
69  Knockdhu 12yo (43%, OB)
74  Knockando 1986/1998 (43%, OB)
84  Lagavulin MurMac Mission
72  Ledaig NAS 'Peated' (42%, OB, Sherried)
68  Ledaig NAS 'Peated' (42%, OB, Un-sherried)
75  Ledaig 7yo 'Peated' (43%, OB)
77  Ledaig 20yo (43%, OB)
75  Linlithgow 18yo 1982/2001 (43%, SigV)
83  Littlemill 14yo 1989/July 2003 (61.9%, Cadenhead's Authentic Collection) bourbon hogshead
81  Macallan 10yo Cask Strength (58.8%, OB)
84  Macallan 12yo 1989/2001 (60.2%, Cadenhead's Authentic Collection) 1989/October 2001 sherry butt
77  Mannochmore 22yo 1974/1997 (60.1%, UDRM)
87  Mortlach 1989/2002 (43%, Coopers Choice, Sherry cask)
82  Mortlach 21yo (40%, Sestante)
87  Port Ellen 1982/2001 McGibbon's
91  Port Ellen 1979/2001 Annual Release 77 - Royal Brackla 16yo 1984/2001 (43%, Coopers Ch.)
90  Talisker Tactical
94  Talisker 20yo OB Sherry
80  Tamdhu-Glenlivet 10yo (58.9%, Cadenhead)
60  Tobermory NAS (40%, OB)
63  Tobermory 10yo (40%, OB)

(Click HERE for a full report of of the proceedings.)

Fittingly, the crowning glory of 2003 came in December.  With the competition over, but for compiling the results, and the year drawing to a close Serge invited the Maniacs to join his distilling day in Alsace.  For 15 years some of the top wine makers in Alsace have joined Serge in making eau de vie and this year was no exception with the product being a gewürztraminer marc.  Now I have to tell you, I'm pretty dedicated to my malts, but lately I have also been cultivating an interest in wines, and without a doubt my favourites are Alsacian gewürztraminers, so this was to be a real treat. 

The distilling day crowd was decidedly wine-oriented, but with so many Maniacs at hand, Serge had scheduled a major Brorathon along with a lot of free-style dramming.  Again, a long list of new malts was prepared, including an introduction to 8 stunners from The Bottlers, but for me the highlight was the distillation, particularly watching as true artisans renewed the still, collected the distillate and on second distillation selected the middle cut.  Gewürztraminer mark tastes a lot like other new make when it's running off the still, but being there making our own distillate also gave me the chance to taste the foreshots.  These are carefully collected, not for re-distillation as I expected, but to be used as liniment.  Now I know what I'm tasting when I taste liniment in a whisky!

So those are the highlights of 2003, but what of 2004? 
What's a new year without a few resolutions?  Well here are mine:

1. Aultmore
2. Ben Wyvis
3. Caperdonich
4. Coleburn
5. Glencraig
6. Glenesk
7. Glen Flagler
8. Glen Spey
9. Glenugie
10. Glenury Royal
11. Killyloch
12. Kinclaith
13. Ladyburn
14. Loch Lomond
15. Miltonduff
16. Mosstowie
17. Pittyvaich
18. Tullibardine

These are the distilleries from which I have not yet tasted any malts.
My first resolution for 2004 is to try at least one malt from each so I can complete my liquid tour of Scotland.  Second, I plan to continue expanding my palate; so many malts and so little time, to turn aphoristic.  At least I need to beat the 52 Challenge.  The year has started well on that count, for already I have experienced the peachy delight that is Jameson's 18yo and the exquisite pleasure of l'Orangerie with chocolate cake – two rare treats on the menu when I visited my friends Johanna and Charles.  And there's a new pub in town, The Highlander with 125 malts on the bar and a friendly barman who let me nose the Jura 36yo he sells for $100 a dram.  Fortunately he pours long drams. 

So, 2004 is shaping up nicely. 
Will it surpass '03?  Only time will tell, but already it's off to a great start.   

Davin
 

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

E-pistle #09/04 - Highlights of 2003 
by
Craig Daniels, Australia 

Highlights of 2003: A Trip to Scotland and a Convention Downunder

Where to start?  2003 was full of great malt moments, easily my busiest malt year ever; the malt mileage surged and I met some great whisky people, including three of the maniacs (Serge, Krishna and Davin) for the first time and such great scotch whisky ambassadors as Derek Hancock of Gordon & MacPhail, Ronnie Cox and Marion Ferguson of Glenrothes, Stewart Laing of Douglas Laing & Co, Bill Lumsden of Glenmorangie and spent quality time in the company of raffish raconteur and whisky polymath, Jim Murray in England (June) and in Australia (September/October).

Scotland in May was excellent, with the VIP treatment at Glenrothes and Glenfarclas memorable standouts and the own-bottled casks at Aberlour with the Malt Maniacs the stuff of legend.  Digging in with the Maniacs in our own cabin in Speyside was excellent too and there were some stellar malts, none better than the 20yo Glendronach that Davin found in Robertson's of Pitlochry.  It was also great to catch up with some other whisky luminaries such as Fiona from The Whisky Shop in Dufftown and Alex Kraaijeveld (malts-L regular and editor on Celtic Malts website).  While in Dufftown, I became a member of a very exclusive club when Fiona offered me a dram from a bottle from the very first cask filled at the Kininvie distillery - I'm pretty sure it was distilled in 1991 and drawn from the cask in 2002.  She did say it was definitely an 11 year old.  They had been watching over the cask and drawing cask samples every year or so, and she reckons it was at its peak at 9 years old.  I felt privileged to get something as unrepeatable as a 'first cask' sample from an 'unbottled' distillery, even if the whisky was on the woody side. I also got to try my very first Convalmore (a 20yo but I didn't get any other details.)  Eminently  forgettable as a whisky and just kind of reinforces why some distilleries didn't survive.

Being the chief organiser and main public face of the first National Malt Convention in Australia meant lots and lots of work and pressure, but there was a great sense of achievement once it was over and we'd made it work and we'd trebled our whisky networks with much more solid connections made with local and Scottish industry people as well as connecting with other Australian based whisky connoisseurs.  Having the opportunity to launch a brand new Australian malt whisky in Bakery Hill Single Malt Whisky was wonderfully serendipitous as well as personally rewarding, not in any material sense, but I like the idea of being a party to a little bit of history and the release labels are framed and hanging with pride of place on the Lyne Arm Malt Room wall.

In Australia, it was a privilege to spend nearly a fortnight in Jim's company escorting him around this wide brown land and sitting in rooms seeing him advise distillers and watch him present his chosen whiskies from blended through vatted malts, Irish and Single Malt scotch to eager audiences in four capital cities around Australia.  There were a couple of profundities (I can hear Jim protest, "what, only a couple??") worth sharing with a wider audience.  Jim has very strong views on water in whisky and while the argument that adding water to 40% spirit means it's no longer scotch is a wee bit facile, his other point that people put it in the bottle at that strength for a reason, so that's the strength that it should be analysed at and that it's the only way that different nosers can approach the whisky in anyway near identical circumstances are much more valid.

He also made a very good point (at least I thought it was profound) in that he tries not to hype his tasting notes and take too many liberties with descriptors.  He reckons people who exaggerate and hyperbolise tasting notes (and you know who they are - ever read anything from the more florid exponents and thought "what a load of crap"!) are actually showing contempt for their audience and have the potential to put people off as if new tasters can't find "bladderwort" or "mink" in a whisky will think that their olfactory equipment is less than optimal, when it just might be the tasting note writer who's at fault and off with the pixies.  More is less with tasting notes and I take Jim's advice to heart: don't be tempted to make things up because they sound cool, or are likely to give the in-crowd a laugh.

Having said that I can smell "eau de cologne" herbs in Glengoyne 21, "wintergreen" in Irish whisky like Jameson 1780 and I definitely can smell "Dunlop bicycle tyre repair kit" in Ardbeg's of a certain age and I will defend my right to use them as descriptors.  I also think a lot of descriptors are location specific so exactitude is not expected, but if people adopt an attitude and think it's smart to take the piss when they write tasting notes, then I think they are the bunch of smug but sad assholes, who aren't doing the malt world any favours.

I tried a lot of good to great malt in 2003, not least of which were the samples for the Malt Maniacs Awards.
Malt Whisky Highlights of 2003 (in descending order - MManiacs Awards malts highlighted in
green):

94 - Caol Ila 20yo 1983 (55.4%, SMWS 53.64, January 1983)
93 - Millburn 1978/1997 (65.6%, G&M, Cask #3166)
92 - Talisker 20yo 1981/2002 (62%, OB, Sherry Casks)
92 - Port Ellen 24yo 1978/2002 (50%, Douglas Laing OMC)
92 - Ardbeg 17yo 1979 (62.4%, SMWS 33.46, Distilled November 1979)
92 - Ardbeg 27yo 1973/2000 (50%, Douglas Laing OMC, 240 bottles)
91 - Brora 30yo (52.4%, OB, Bottled 2002)
91 - Caol Ila 1988/2002 (40%, G&M Private Collection, Sherry Wood)
90 - Laphroaig 16yo 1987/2003 (50%, Douglas Laing OMC, 276 bottles)
90 - Port Ellen 1982/2002 (40%, G&M Connoiseur's Choice)
90 - Talisker 25yo 1975/2001 (59.9%, OB, Bottle #1936)
90 - Macallan 18yo 1984 (43%, OB)
89 - Bowmore 22yo (43%, OB, Seagull Ceramic Bottle)
88 - Ardbeg 1977/2002 (46%, OB)
88 - Royal Lochnagar ??yo 1977/???? (50%, Douglas Laing OMC)
88 - Lagavulin 12yo Special Release (58%, OB)
88 - Glenglassaugh 18yo 1983 (53.8%, SMWS 21.20, Distilled June 1983)
87 - Ardbeg 21yo "Committee" (56.3%, OB)
87 - Bruichladdich 17yo (46%, OB)

Other fun whiskies with a lot of admirable characters were Cutty Sark 25yo (45.7%, OB, 86 points), Glenrothes 1979 (43%, OB, 86 points), Bruichladdich 15yo (46%, OB, 85 points, hard not to like this as it even has a little whiff of peat along with the fresh straw, malt and honey) and the Isle of Jura Superstition (45%, OB, 84 points, a lot better than I thought it would be).

Craig
 

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

E-pistle #09/05 - 2003 Wrap Up
by
Louis Perlman, USA 

2003 was a relatively quiet year for me, and there were two major contributing factors. First, the state of the economy didn't leave me with tons of money for whisky acquisition. Not that I was poor or broke, just that I had to limit myself to spending what normal people would think was crazy. As for the second factor, there's an old saying that sometimes you look in the mirror, and you don't like what you see. After Serge's contribution in MM6 detailing his adventures to the far reaches of his collection, I got this uneasy feeling that something similar was awaiting me. And my intuition was corect. While compiling my Malt Mileage back in May, I discovered a total of 89 opened bottles!!

These were categorized as follows:

34 Current Bottles (Bottles that have been open for 0-2 years)
18 'Oldies but Goodies' (Older stuff that I really like, am in no rush to finish, and are either no longer available or too expensive to replace)
21 'Odds and Sodds' (Bottles that I don't have much interest in anymore)
10 bottles that may never get finished (Cask strength bottlings of uninteresting malts)
6 on the way out (Down to the last couple of drams)

So with limited funds and plenty of open bottles, the obvious solution was to drink down as many bottles as possible. The good news is that I managed to polish off about a dozen of them, with perhaps an equal number on the way out. By adopting a strict 'minimum 2 for 1' policy for opening new bottles, I'm slowly getting things down to a manageable level. Of course some simple arithmetic shows that this could take a decade or so, but that's another story.

The first highlight of the year was the tasting event with John Hansel , also published in MM#6.
And I also finished off the samples that I smuggled out of
Whiskyfest in October 2002. As it turned out, I really did save (one of) the best for last, this being the Linlithgow 25yo 1974 (57.5% Scott's Selection). Since the UDV Rare Malts series isn't imported to the US, I've never been able to try Johannes' beloved Saint Magdalene 19yo 1979/1998 (63.8%, UDRM). If these two are anything alike, then I finally know why Johannes has made it his favorite dram of all time. The nose was quite perfumy. Body was firm, but gentle. The flavors were nicely presented, first some fruitiness that was a continuation of the aroma, and then some licorice candy. The finish was more of the same. Too bad I only had about 30ml, but I snagged one of the last bottles left in the US. Rating is 93 points.

After finishing my Malt Mileage in May, I was looking forward to the summer drams, but I had to wait a bit longer. We had Scotland weather in June, with rain almost every day, and moderate temperatures. The dram of the month turned out to be the Ardbeg 1978 (43%, OB). Yes, Ardbeg in June, who would have ever thought. But the weather straightened itself out by July. As a reward for finishing off various bottles, I allowed myself 2 new summer malts. First up was: Linlithgow 18yo 1982 (50%, Douglas Laing Old Malt Cask). I had the bottle in my reserve stock and since it was a bit less expensive than the Scott's Selection, I decided to open it first. Very similar to the SS, giving up perhaps just a bit with the slightly lower proof and younger age. Rating is 89 points.

In the past, I've enjoyed the Scapa 12yo (43%, OB), a pleasant, non-demanding dram for warmer days. It had a honey and vanilla profile, although hardly the last word in complexity. Having read somewhere that Scapa does better at a younger age, I picked up the  Scapa 9yo 1991 (43%, Signatory, D&M club selection bottling). I didn't actually buy it from D&M, but that's what the sticker on the label said. And I paid $36.95 instead of $49.99 as well. Michael Jackson finds hay as a consistent element in Scapa, I didn't really detect in in the 12, but it was quite noticeable here, with the vanilla pretty much missing in action. The overall effect was quite pleasant actually, resulting in a better defined character overall. I'll raise the 12yo two points to 81 points.

Towards the end of the summer, I was trying to hook up with Peter Silver. We picked a date which turned out to be the evening of the great blackout of 2003. It took a while to reschedule, but the date ended up in early October, the Saturday night after Whiskyfest. Also in attendance were local whisky fans Todd and Jay, and also Dave Russo of Plowed fame. The evening was certainly a success. It was great to finally meet Peter in person, as well as his lovely wife Erica. Helping to keep things interesting was Peter's cat Ella, a tabby-tortoise shell mix, while Max, a white Persian, only made a brief cameo. Dram Central Station is most impressive. It's hard to think of any significant whisky that isn't there, and that's not even counting lesser known independents. However, I declined Peter's offer of any open bottle being fair game in order to avoid a repeat of my 2002 Whiskyfest fiasco. Therefore, I limited my consumption to bottles that were on the tasting table, and here is the list:

Glen Elgin 12yo (43%, OB '2003 release')
Longmorn 12yo, 1981 (43%, Whyte & Whyte)
Glenlivet 21yo (4?%, OB 'Briefcase')
Glenlivet 25yo 1975 (43%, Montgomerie)
Glenlivet 26yo 1972 (54.29%, OB 'Vintage' from 5 pack)
Springbank 30yo (46%, OB)
Talisker 20yo 1980/2000 (50%, Douglas Laing Old Malt Cask 'Tactical')
Talisker 25yo (59.9%, OB)

The Glen Elgin was a nice surprise. A middle of the road unsherried Speyside, a bit malty, with a touch of honey. This type of whisky is generally not available in the US, and would be quite welcome. I gave it an 81, a point up from my starting-to-get good malts. The Longmorn was very similar. Moving on, the Talisker 20yo 1980/2000 (50%, Douglas Laing Old Malt Cask 'Tactical') was my favorite of the evening. The peat was more restrained than the other Tactical that I've had, and there were some sweeter notes as well, probably courtesy of the bourbon cask. A really superb dram, I'll give it 92 points.

As for the Glenlivets, Peter had just picked up the Glenlivet 25yo 1975 (43%, Montgomerie), and I was very impressed. It was simply a very fine GL, similar in character to the 12, but a whole lot better. The 'Briefcase' came in a leather briefcase. It originally was supposed to sell for something like $600, but was being dumped for a fraction. It turned out to be way to sherried for my taste. The 1972 was sampled late in the evening, and was too strong for me to get much of an impression at that point. And speaking of which, late was when the Springbank 30 and Talisker were sampled. I really couldn't get much of an impression of the Talisker as well, due to the 60% ABV. The Springer was, well, pretty much exactly what would be expected of a 30 year old Springbank, but I didn't want to rate it without comparisons with a few other expressions, and I wasn't up to it at that point. However, I brought home a sample, and will find a good night to revisit it.

Moving on, I decided to allow myself to open a few more bottles. After polishing off a handful of Highland Parks, the 1977 and several independents, I decided to try the Highland Park 14yo 1988 (46%, Signatory 'Unchill Filtered, cask #709 bt249/361). Now as far as I am concerned, the Highland Park profile can be described as honey, smoke, and heather. My bottles of the distillery 12, 18, and 1977 all were very close, just displaying levels of goodness in accordance to price and age. The independents however, all seem to lack at least one element, usually the smoke. They end up more like Highlands, minus the Park. The Signatory does the best job yet, of approaching the distillery bottlings, although it is just a bit lighter. One odd thing, the body is lighter than I would have expected for something that is 'unchill-filtered' Rating is 85 points for now, it may change if I can compare it to one of the official versions.

Announcing Project 1984

Nothing to do with the book, but that's the year I got married in. With my 20th anniversary coming up, I've decided to acquire as many bottles distilled in 1984 as possible. More on that later, but I kicked off the project with the Bowmore 16yo 1984 (59.5%, Cadenhead). Here are The Malt Advocates tasting notes. Antique gold color. Aromas of peat smoke, damp earth, exotic pepper, vanilla, and fruit. Medium body. A great balance of flavors, with a lovely Islay character. The whisky begins sweet up front, ultimately turning pleasingly dry towards the finish. In between you'll enjoy flavors of peat smoke, vanilla, spicy pepper, and delicately honeyed malt, with just a hint of the sea. This is a very nice dram. I sampled it along with Bowmore 17yo 1983 (50%, Old Malt Cask) and Bowmore 10yo 1989 (46%, Murray McDavid). Both of these date back to late 2001, but I wasn't much in the mood for composing in the aftermath of 9/11 so they never got reported on. Both are bourbon casked, as opposed to the 1984 which is sherry casked. But with just the last few drams left of each, I really need to give them some attention.

So here is the deal. It is the Bowmore party line that only the distillery bottlings offer the 'true Bowmore character'. The independents just have to be a bit off. I'm not sure why this should be, as they all start off in the same place, but that's what they claim. Well, I can tell you with a 100% confidence level that the distillery's claim is nothing but hot air (peat smoke?). The two bourbon cask versions blow away the 12, 15, & 17, and I am a huge fan of the 15. The OMC is the best Bowmore that I have ever tasted. It still has some intensity left, but offers a very high degree of refinement. The MMcD has a lot of youthful exuberance. You get the standard dose of peat with some sweeter notes, probably from the cask, but the iodine add a subtle mean streak. The 1984 shows the effects of the sherry cask, but is by no means a sherry monster. But all three are unmistakeably Bowmores. The OMC set me back $72, but is no longer available, so buy on sight if the price is reasonable. The Murray McDavid I've seen it for around $40, where it is an automatic buy. Ratings are 92 for the OMC, 89 for the 1984, and 88 for the MMcD.

Around that time, the Brorageddon finally showed up. This was the third Plowed bottling, and is:
Brora 30yo,1972  (50.8%, Douglas Laing Old malt Cask)
It turns out to be a mixed bag (bottle?). The good news is that the whisky has aged very well, with plenty of character, and not a trace of wood. But it is also very heavily sherried, and the peat barely makes it's presence known. If someone had told me that it was a Macallan or Glengarclas, I would have been really impressed. But for what is supposed to be an intense dram, it falls short. I'm rating it 88, as this is really not my style of whisky. Having said all that, the Brorageddon is an excellent late night dram, and about half of the bottle is gone after only a few months. Go figure.

And to close things out, it's time for a bunch of Laphroaigs. Much as I love peat, I realized that I have been ignoring the peat monsters over the last few winters, so my pre-New Years resolution was to hit the peat as much as possible this time around. So I decided to open my liter of Laphroaig 10yo Cask Strength (57.3%, OB) I had a sample for the Laphraoig JOLT), and I also acquired the Laphroaig 14yo 1988 (46%, Signatory 'Unchill Filtered, cask #3595 bt357/679). Just to make things exciting, I also dug out my Laphroaig 12yo 1984 (59.8%, Cadenhead) which was the Superheavywieght Champion in my Peat Monster Bash a couple of years ago. Back in early December, we had a preview of the cold weather that has settled in with us in January. Since we weren't used to cranking the heat up yet, I decided to try some liquid central heating, which provided the perfect opportunity to let the 'froig 'freesome show what it could do. The Signatory UCF is really the Laphroaig for those who don't like Laphroaig. Klaus would probably have very little nice to say about this mellow expression. My wife actually said that it didn't taste so bad, a compliment from her for a peat monster. Lets call this the 'introspective Laphroaig'. The Cask Strength is nothing new in these pages, and I really don't have much to add. A big improvement over the standard 10 year old, the last two bottles of which, have not impressed me a whole lot. But the Cadenhead one again struts its stuff. Throwing about great swirls of peat and iodine, it is the perfect cold weather dram. As for ratings, 85 points for the Signatory, 87 points for the cask strength, and 93 points for the Cadenhead.

That's it for 2003. I've got some good stuff in the rotation for the new year, some new 12 year old Springbanks, Ardbeg 1977, and the Compass Box Monster. Also some updates on Project 1984. Stay tuned.

Louis
 

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

E-pistle #09/06 - Whisky Club Part 1: 8 Bimbos from Islay around the Pool
by
Olivier Humbrecht, France

Launching a new whisky club sounds quite an easy thing to do. There are so many wine tasting clubs around, that a 'whisky' tasting club would be just another motive to gather a few people together. But then, when you go into the practicality of tasting whisky, it isn't that obvious. Serge decided to start the club with 5 members, perhaps up to 6. We would meet half a dozen times per year, changing location for each tasting. Every member brings 2 different malts (closed bottles). After the tasting, the remaining of the bottles is divided into sample bottles, giving the possibility to re taste all the malts later on. Not bad, no?

Our first reunion was held at Serge's main offices and marketing
headquarters: his terrace by the pool, under a warm May evening.
We were only 4 for the first evening, the fifth member being unable
to join us. Serge flew to Paris the very day, pretending to work, but
in fact he went there to pick up a few goodies to eat with the malts.

That was Friday 23rd May. Guess what happened the next day on
a remote Island of Scotland? I can't even mention it, because, as
much as I like Serge's terrace, I'd rather have been driving one of the
antique car of Mrs MacKenzie of Islay (the only car rental available)
towards a little remote cottage somewhere on the island, preparing
for the Islay Whisky Festival. (Arrghh, I mentioned it).

It was easy to choose our first evening subject: Islay single malts.
To start with panache, only 20yo or plus! Not bad either, no?

As soon as I knew this, I went frantic through my whisky shelves and started to list whatever was from Islay and over 20 yo. My classics are Ardbeg 1975 OB, Bruichladdich 20 yo OB, Bruichladdich 1970, Port Ellen 20 yo and 22 yo UDRM, but I was also curious to try some recent releases. I eventually fetched the highly praised Hogmanay Dram and a distillery release Ardbeg 1976. I knew this bottle meant a lot to Serge, because he… no I won't mention it again. Each time I mention the fact that they were lost with his suitcase coming back from Islay, he really gets sick. Don't you, Serge?  Serge: Oh thanks, Olivier! Here we go again! Anyway, thanks for having let me taste that great Ardbeg… I just hope that the robbers who stole my bottles appreciated the malt, and didn't drink it as if it was some Johnnie Red!

In order to prepare our palates, Serge brought a blind whisky he bought on the very day. I thought it could have been one of his weird findings at the airport, especially when I saw the white wine colour. The nose was elegantly surprising: very malty, yeast, little cask influence but quite aromatic. Palate is round, good length and some peat, not strong, but there nonetheless. Very nicely balanced and good introduction, could this be from Islay? Perhaps, since we were going to taste them after. Eh no, it was in fact Ardmore 11yo 1992/2003 (43%, SigV, cask 1374). Rating: 83 points. Serge: Yep, good whisky, eh? Some Ardmore bottlings are elegantly peated, and like Brora and Ledaig, Ardmore may make you think of an Islayer. I found some peach and melon as well. My own rating is 83 points, just like yours.

All the glasses were tagged with the whisky names (yes, one glass per whisky, in order to be able to compare them during the tasting) and we could start. We decided to taste them from the low to high peat and maybe keep the oldest for the end. Serge: I really think that having all the glasses in front of you is a great experience, because you can compare #1 and #5, #8 and #2, etc. Then, your ratings and ranking get much more precise!  I did also let some round glass lids being made for us, so that the whisky won't evolve too quickly in the glass.  By the way, Olivier, thanks for having brought the dozens of glasses!

Number 1: Bunnahabhain 20yo 1980/2000 (54.8%, Prestonfield, sherry butt #9063)
Yellow gold colour. Glorious and intense nose. Dry fruits, Christmas cake, pears, light and beautiful peat. What a start! Absolutely fantastic. The palate is just as intense, nice peat. Finishes very elegant. To drink! Elegant sherry, giving a round sweetness on the finish. 90 points.
Serge: yes, I liked that one very much as well. Agreed on the nose. I found the palate to be just a little too woody, too drying, but it's superb whisky, still. I got a little salt on the finish as well. Now, knowing that The Prestonfield is a Signatory Vintage brand, I wonder how they decide whether one specific cask should be bottled as a Signatory bottling, or a Dun Eidean one, or a Prestonfield one. Anyway, my rating is 90 points, just like yours.

Number 2: Bunnahabhain "Hogmanay Dram" 1968/2002 (43.8%, OB Auld Acquaintance)
Amber colour, much darker. The nose is less powerful than the Prestonfield's, but develops slowly strong heather, grass, hay and again, a very delicate subtle peat. The nose just kept opening and became more and more interesting through the tasting (whisky needs air like wine?) Absolutely fabulous. The palate is elegant, dry, quite tough (seems more than just 43.8%) and powerful with a nice savoury/salty taste. Again, great sherry influence (dry fruits, apricots). Light smoky character, sea sprays and maritime influence especially on the finish. A must buy whisky! 93 points.
Serge: oh yes, that one was fa-bu-lous! Very complex and refined, and I got a whiff of menthol as well… It made me think of the Auchentoshan 1966 OB we had together last year, or the Bruichladdich 1970 we tasted from the cask. In other words, it's just brilliant cask selection, I think. And yes, it is a must buy.
My rating is even higher: 94 points.

Number 3: Port Ellen 23yo 1979/2002 (43%, Sig Vintage, cask #5151)
Light white wine colour. The nose shows the classic rubber & peat combo, somewhat warm and still young and vibrant. The palate is balanced, fresh, soft, not too strong (I always take the 20yo UDRM as a reference). I guess it is a very good Signatory Vintage edition (worth buying) that made me think of a young Ardbeg. The finish is elegant, not powerful, with nice flowery character. 89 points.
Serge: true, if we had tasted it blind, we would all have thought it was a much younger whisky. Very delicate and flowery, besides the peat, of course. I think it lacks the power we're used to get from the RMs, but hey, here is some good news: all the remaining Port Ellen casks aren't just crappy! My rating: 88 points.

Number 4: Port Ellen 23yo 1978/2002 (54.3%, Sig Vintage, cask #5344)
Yellow colour. The nose appears very delicate, almost faint. Ripe apples, fruits, citrus and some sulphur notes. The peat doesn't show through, a least not for me, even after over an hour in the glass. Disappointing for Port Ellen! The mouth is powerful, dry cask character, some milky/lactic flavours. Finish is also very dry. The fact that I like a lot Port Ellen made my rating perhaps very severe on this one, but definitely less interesting than the previous one: 85 points.
Serge: well, I was really disappointed. I thought the bad wood made it indefinite, and kind of "dirty". Nowhere near most of the other PEs I tasted. Severe? I think you were quite generous when rating it 85 points. I would go for 82 points – max!

Number 5: Lagavulin 23yo 1979/2002 (46%, MMcD "Mission")
Yellow white wine colour. Nose shows dry grass, hay, maritime with peat and salt. The peat is strong on the palate, but overall stays delicate. Again the nose needed time. (Again: is air needed for recent releases versus older ones?) Very good and long finish with smoke char